Based upon the Shicho-hon-no-Kuzushi and Ura-waza, in the first section, Tori should demonstrate large sweeping movements, clearly maintaining centre, and Uke must be very light on the feet. An emphasis should be made on Tori maintaining centralization whilst applying flowing dynamic kazushi (balance breaking) Precision should not be sacrificed for speed.
Koryu Dai Yon
Shichihon-no-nage-no-kata (Section A - Balance Breaking )
1. Jodan-ai-gamae
2. Jodan-gyaku-gamae
3. Chudan-ai-gamae
4. Chudan-gyaku-gamae
5. Gedan-ai-gamae
6. Gedan-gyaku-gamae
7. Ushiro-ryote-mochi
Shichihon-no-nage-no-kata Ura-waza (Section B - Balance Breaking with Counters)
1. Jodan-ai-gamae-no-ura-waza
2. Jodan-gyaku-gamae-no-ura-waza
3. Chudan-ai-gamae-no-ura-waza
4. Chudan-gyaku-gamae-no-ura-waza
5. Gedan-ai-gamae-no-ura-waza
6. Gedan-gyaku-gamae-no-ura-waza
7. Ushiro-ryote-mochi-no-ura-waza
Tachi-waza (Section C - Standing Techniques)
1. Migi-gyaku-gamae-ate
2. Hidari-gyaku-gamae-ate
3. Uchi-kaiten-nage
4. Sukui-nage
5. Ushiro-waza-kote-gaeshi
6. Jyuji-garami-nage
7. Tentai-oshi-taoshi
8. Tentai-hiji-garami
9. Tentai-sukui-nage
10. Ryote-mochi-uki-otoshi
11. Tenkai-kote-kugiki